Reading the gothic in Jim Jarmusch’s Only Lovers Left Alive (2013), Part IV: The gothic revival of Detroit

Hello dear readers! Welcome to the last instalment in my series of articles on Jim Jarmusch’s superb film Only Lovers Left Alive (2013), focusing on Jarmusch’s use of the gothic in the urban ruins of the film’s setting, the city of Detroit. This is the fourth and final article of the series, all of which have been adapted from a […]

Reading the gothic in Jim Jarmusch’s Only Lovers Left Alive (2013), Part III: The gothic vampires of Detroit

Hello dear readers! Over the next few days I wanted to share with you a new series of articles on Jim Jarmusch’s superb film Only Lovers Left Alive (2013), in an attempt to locate Jarmusch’s use of the gothic in the urban ruins of the film’s setting, the city of Detroit. This is the third of four such articles, all of […]

Reading the gothic in Jim Jarmusch’s Only Lovers Left Alive (2013), Part II: The gothic music scene of Detroit

Hello dear readers! Over the next few days I wanted to share with you a new series of articles on Jim Jarmusch’s superb film Only Lovers Left Alive (2013), in an attempt to locate Jarmusch’s use of the gothic in the urban ruins of the film’s setting, the city of Detroit. This is the second of four […]

Reading the gothic in Jim Jarmusch’s Only Lovers Left Alive (2013), Part I: The gothic ruins of Detroit

Hello dear readers! Over the next few days I wanted to share with you a new series of articles on Jim Jarmusch’s superb film Only Lovers Left Alive (2013), in an attempt to locate Jarmusch’s use of the gothic in the urban ruins of the film’s setting, the city of Detroit. This is the first of […]